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Cults static album
Name: Cults static album
File size: 496mb
Static is the second studio album by American indie pop band Cults, released by Columbia Records on 15 October Album title and themes - Reception - Track listing - Personnel. 14 Oct Released after extensive touring, Cults' sophomore album sidesteps presumptions about a rising, major-label band and finds contentment not. 21 Oct - 6 min - Uploaded by theneedledrop Listen: psychotherapie-energetique.com?v=c-jKfLXYQqw Loaded with insipid lyrics, amateur.
3 Feb - 35 min - Uploaded by Colin Smith Cults - Cults - Static Album Teaser - Duration: CultsVEVO 8, views · · Cults. 14 Oct There's a streak of malice in Madeline Follin's pink-frosted vocals. On Static, the second album from Manhattan duo Cults, she teases it out. Find a Cults - Static first pressing or reissue. Complete your Cults collection. Shop Vinyl and CDs.
The album is comprised of 11 tracks including "I Can Hardly Make You Mine" and first single "High Road." Cults is the genesis of Madeline Follin and Brian. This is their sophomore album, written about their recent breakup and the feelings of growing up and apart. It was released in to Colombia Records. 15 Oct Cults members Madeline Follin and Brian Oblivion may have ended their romantic relationship prior to recording their second album, Static, but. 15 Oct Find album reviews, stream songs, credits and award information for Static - Cults on AllMusic - - As any musician will attest, breakups. 15 Oct So far, Cults have relied on that brand of fresh, unbridled energy that fuels new groups like them, making Static a fine example of an album.
15 Oct For all of Cults' inner turmoil, Static is remarkably of a piece with their debut. 6 Nov The second album from New York's Cults delivers joyous songs through gritted teeth, and makes good lyrical work of the duo's real-life breakup. Static. By Cults. • 11 songs. Play on Spotify. 1. I Know. 2. I Can Hardly Make You Mine. 3. Always Forever. 4. High Road. 8 Nov Cults - 'Static'. Cults' self-titled debut album was a triumph. Madeline Follin and Brian Oblivion's use of echo, fuzz and well-chosen.